I ran the Forum for three years.
I think you should write about yourself, your job, and your giving.
Now, I write web content for 80,000 Hours. Previously:
Outside of EA, I play Magic: the Gathering on a semi-professional level and donate most of my winnings to charity (this amounts to ~$60K so far).
Outside of EA, I've been a tutor, a freelance writer, a tech support agent, and (very briefly) a music journalist. I blog, and keep a public list of my donations, at aarongertler.com.
I'd prefer for the submitter to write or generate a summary, so that it covers what they think is important — an AI summary of e.g. "War With The Newts" probably won't hint at the EA parallels.
I also like having less AI text around if I can help it; I don't personally mind it in this context, but think it tends to degrade reading experience for many people.
That said, I'd like to make life easier for submitters, so I've removed the mandate from "summary" and "media type". I left "EA vibes" because that still requires a human touch — my experiments in getting AI to explain a book's EA vibes have been mixed at best, and a work's connection to EA is often quite personal for the submitter (we all see EA a bit differently).
Thanks for the reminder -- didn't mean to leave out the type.
I skipped "Creator" at first because I wasn't sure it was worth the space (mostly one-time creators here), but when I thought more, it seems useful for people to be able to e.g. filter through all the Scott Alexander content once the database is bigger. And it saves people from having to specify creators in the title. And people can always filter it out for themselves. So it's in for now!
GWWC has a blog, so you could ask them about publishing there!
There's always the option of pitching your story to news outlets; occasionally we do see a GWWC member pop up in mainstream media, like Allan Saldanha in the Guardian (who also gives well over 10%). But I don't know how those stories tend to come together — whether it's through GWWC helping out or the subject making their own connections. Probably worth asking GWWC about that, though.
Thanks for the nitpick, fixed!
I mean something like "the average person in the EA community" or "the average person who is interested enough in EA's ideas and methods to take action" — that seems like the relevant audience for the question of what the community should focus on.
(This is complicated by giving being an easier pitch/reaching more people than career choice — but that's beyond the scope of this comment.)
Some thoughts:
I probably won't have time to respond to more comments at length (if at all), but I appreciate the impetus to think about the question!
Thanks! I didn't add Richard initially because he's said he doesn't think of himself as part of EA (didn't want to saddle him with associations he might not want). But his donation writeups are great, so I adjusted the language of my list to be more inclusive of anyone who shares an interest in EA-linked causes.
Maybe "naive" isn't the right language -- I mean it mostly in the sense of "it's a bad idea to commit crimes in the service of charity" rather than "the expected value was negative".
If Mario cared sufficiently little about being imprisoned, damaging a masterpiece, or generating opposition to famine relief writ large, I could see the theft as a positive-EV move from his perspective. But on the "benefit" side of the tradeoff, I'm skeptical that there was even a remote possibility of the Belgian government putting up ~$17 million to ransom the painting, especially on the deadline he set. (Claude notes that governments have a strong incentive not to set a precedent by making public ransom payments.)
That said, when I did some more reading on the case, I saw this:
"According to the Dutch art historian and Vermeer expert Albert Blankert, Roymans' demands were "alarmingly well received" by the Dutch public. Petitions were circulated urging authorities to rescind the warrant for his arrest and there were spontaneous initiatives in favor of the refugees from East Pakistan. A wave of sympathy spread across the country, and slogans in favor of Royman's cause were seen chalked on bridges and walls."
So it may have been a surprisingly effective publicity stunt, if the public's reactions were really so positive! (That's not something I'd expect in the modern world.)
But I continue to think it's generally misguided to steal money so you can give it away,* for reasons including "I wouldn't want someone to steal my money for their own favorite charity" and "if your cause is known for support from thieves, you should expect people to turn against it".
*But if you can steal bread to feed your starving child, why not someone else's children? As the guy who played Javert in my high school's production of Les Mis, I can't help thinking about Jean Valjean here. But I'm not inclined to spend the time I'd need to work through the relevant arguments and counterarguments.
Thanks, this should be fixed now.